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"The name of the place I mean to stay at—my own actual property—is called Coolnagurtheen," goes on Geoffrey, heedless of her censure. In those days the people had built a great piskun with high, strong walls. No buffalo could jump over it; not even if a great crowd of them ran against it, could they push it down. Presently, seeing she is again smiling and looking inexpressibly happy, for laughter comes readily to her lips, and tears, as a rule, make no long stay with her,—ashamed, perhaps, to disfigure the fair "windows of her soul," that are so "darkly, deeply, beautifully blue,"—"So you will come to England with me, after all?" he says, quite gayly..
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"Come home, Mona; be advised by me," says Geoffrey, gently, as the man skulks away, walking in a shambling, uncertain fashion, and with a curious trick of looking every now and then over his shoulder, as though expecting to see an unwelcome follower. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air. "I have heard the library is a room well worth seeing," goes on the Australian, seeing she will not speak. All the people hurried out to see him and to ask him questions. "Where did you get all these fine things?" He did not answer. There in the crowd stood that young woman, and, taking the two raven feathers from his head, he gave them to her and said, "The trail was long and I nearly died, but by those helpers I found his lodge. He is glad. He sends these feathers to you. They are the sign.".
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